Coletivos culturais no Recife : uma cartografia da amizade

Abstract

This dissertation is characterized as an exploratory study on cultural collectives in Recife, at the beginning of the twenty-first century. It aims to understand the present modes of action in collective cultural activism, especially in the formulation of aesthetic narratives, as fields of action that contribute to the development of socio-educational processes based on collaborative work and cultural activism as modes of intervention in public policies and practices. In this sense, they are new collective practices that activate, question and demand public policies in the most diverse fields of life in the great centers, such as urbanism, culture, education and labor market, whose main articulation of this way of acting is friendship, here taken in its biopolitical dimension. Although it is necessary to make a brief analysis about the forms of organization and social participation of these collectives, within this master's degree, our path is guided by the relations between the narratives that develop an immersive and sensorial perception of pontential transformations, now underway, impacting and meaning new territories of belongings and affections. Therefore, the theoretical methodological journey proposes the reflection on Culture, without the pretension of thematic egotism, but, above all, aiming to structure the conceptual dialogue between collective processes, reterritorialization, friendship and contestation. From an immersion, in the form of ambulatory chronicles, it was possible to reveal in a universe of seventy collectives, a mapping of experiences and artistic occupations aiming to compose the beginning of a contemporary cultural cartography of the city of Recife, making possible the construction of other glances in the field of academic research.